W🎃hile the citizens of the Dౠauntless faction in “Divergent” love a good death-defying leap, they’re equally passionate about something a little more benign: tattoos.
And these aren’t just any tattoos. The design process for the film’s ink began with production designer Andy Nicholson (a recent Oscar nominee for “Gravity”), who worked wit🐎h director Neil Burger to create a “bible of the future” that set forth rules about visuals not explained in Ve𓂃ronica Roth’s book series.
In particular, they wanted the tattoos to be rudimentary enough that an isolated, relativelyღ young society could believablꦍy create them.
“We weren’t try👍ing to reinvent tattoos ,” says Nicholso🌊n. “[But these] have a certain naiveté about them. It was very much about [the Dauntless] world.”
Lead initiate Tris (Shailene Woodley) has three bi𒊎rds representing her mother, father and brother, and the makeup team was able to apply them consistently each day using her moles as references points. (In the film, tattoos are applied via a tube that injects ink through a patch. In reality, they were printed on cellophane paper backed with acrylic adhesive and applied almost like temporary tattoos.)
For Four’s elaborate back tattoo, makeup department head Brad Wilder had to stick on around 40 numbered, printed pieces that connected like a puzzle on actor Theo James’ౠ back. It took three people three hours to apply them while James stood. When they’d run out of conversation topics, the actor would put his headphones on and lis🌄ten to Bon Iver.
Luckily, James didn’t have to endure that rout🌃ine every day. For much of “Divergent,” only a bit of the tattoos peek out from beneath his shirt.
“It was to draw attent🐻ion to the kind of places girls notice on guys,” says Nicholson. “[When the full tattoo is finally revealed], hopefully it’s a bit of a swoon mom𝔉ent.”
